Tattoorism: Sean Stops by To Unveil More Amazing Work

Tattoorism: Sean Stops by To Unveil More Amazing Work

A month ago, I posted a bit of tattoorism; Sean from New Jersey sent me photos of his left leg, an intricate Japanese-style piece, complete with koi, dragons, a lotus, and a pagoda.

Sean has been kind enough to update us here on Tattoosday with two more pieces, the first being this cool gypsy head that is tattooed on the inside of his upper left arm:


As he was in the last post, Sean is not only generous with the pictures of his tattoos, but he also has provided a thoughtful explanation of his work:

"I got the gypsy woman about two weeks after graduating from college. I really enjoy the traditional, old school style of tattoos and feel it’s important that this style does not disappear... from tattoo culture. Further, I always viewed these women as adventurers, constantly looking for a new journey. Especially, the woman who are looking off to the sides, almost as if into the distance, as opposed to those who look straight forward. I always envision them looking off to a new land, a new adventure, etc. This tattoo signifies my “journey” through life, especially significant due to just graduating college. It is a reminder to never stagnate and to constantly be striving for better things. I plan on getting a banner added underneath with the word "hope," for obvious reasons."

Sean also sent images from his right leg sleeve, to match the work on the left:



Again, in his own words:

"I had my right leg sleeve done for most aesthetic reasons. I explained [previously here]...that I love Asian style artwork, and to keep symmetry with my left leg this was done in just that style. Originally, I believed I had chosen the geisha image solely for its beauty.

However, about a week after my tattoo I realized that my family has a framed picture of a geisha hanging outside of my room that I have honestly never paid much attention to, until seeing it that day. So now, every time I see the tattoo it reminds me of my home and family (particularly, my mother for some reason). Your subconscious has a funny way of revealing itself.

Moving on, the phoenix has always been a very powerful image to me.

I love the idea of rebuilding yourself from the ashes of past selves. This was significant to me as I received that tattoo during my final years at college (the first two years I spent commuting to a community college, the last two years I spent living on campus away from home for the first time in my life). I feel that those two years living away from home was a period of immense change, where, metaphorically, past versions of myself “burned up,” with new versions arising from those ashes.

Finally, the bonsai tree kind of goes hand-in-hand with the phoenix imagery.

It was always interesting to me that in order for a bonsai to grow correctly, a have a long life, it needed to have branches/new growths pruned and trimmed, in essence losing a piece of itself. I feel this ideology also applies to human life. In order, for someone to fully mature, I feel one needs to be prepared to lose parts of oneself (whether they be thought processes, habits, etc.) in order to grow into a better-equipped and well-rounded person. The bonsai reminds me to strive for this."

I once again thank Sean for not only sharing his tattoos with us here, but for putting the effort into writing a thoughtful, detailed account of the meaning of the art gracing his skin. As with previous pieces featured, the tattoos in this post were done by Mike Schweigert at Electric Tattoo in Bradley Beach, New Jersey. Truly a talented artist that was able to so distinctly transform Sean's body into a living canvas. We here at Tattoosday offer our sincerest thanks and appreciation!