The Tattooed Poets Project: Brendan Constantine

The Tattooed Poets Project: Brendan Constantine

One of the more satisfying aspects of this year's Tattooed Poets Project has been completing posts for poets who first contacted me in 2009 during our inaugural year of the endeavor.

In Brendan Constantine's first e-mail to me, back in February 2009, he mentioned being "extensively tattooed," a fact that, over the last thirteen months, escaped me. Brendan and I have stayed in touch, and he was finally able to send me a photo last night of one of his tattoos. I was surprised to see this amazing back piece:

Photos by Shawn Burkley

Brendan explains how this work came into existence:

"In 1994 I went to an retrospective of legendary Japanese artist, Kawanabe Kyōsai, at the National Gallery in London. Known as the ‘Demon of Painting,’ Kyōsai was among the very first artists in his country to bring western techniques to bear upon traditional themes, a move which earned him much criticism. I was transfixed by his work and came home with a huge book of his prints. Artist, Kirby White, then with Yoni Tattoo in the San Fernando Valley, shared my enthusiasm for this unique painter and said, “I would kill to work in this style!”

Unfortunately, halfway through the process, Kirby began to experience chronic back pain which ultimately kept her from finishing the piece. Nevertheless, I asked that she sign it, something few if any people allow artist’s to do. I know the work is supposed to be its own signature, but I wanted the piece to bear Kirby’s mark the same as if it had been rendered on rice paper.

Photos by Shawn Burkley

About two years later I met artist Sung Song at Pure Tattoo in Los Angeles (he has since moved on, now at Unbreakable Tattoo in Studio City) and discovered he was also devoted to the work of Kyōsai . I showed him where Kirby left off and he enthusiastically finished the job, adding his own improvisations while respecting Kirby’s work. The piece now bears both their idiographic signatures as part of the design. I’m a happy gallery!"

Photos by Shawn Burkley

Thanks to Brendan for sharing this amazing work!

Please be sure to head over to BillyBlog to read one of his poems here.

Brendan Constantine is a poet based in Los Angeles. His work has appeared in numerous journals, notably Ploughshares, Ninth Letter,The Cortland Review & RUNES. His book, Letters To Guns, was released in 2009 from Red Hen Press. He is currently poet in residence at The Windward School and Loyola Marymount University Extension.

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Danny's Incredible Tattoos

Danny's Incredible Tattoos

On occasion, I will wander from 7th Avenue to 8th Avenue, through the campus of F.I.T., hoping to spot some creative work. One of my first posts (documented here) featured tattoos from someone I met on that stretch of street.

Last month, I ran into Danny, who had several very nice tattoos.

First I took a picture of this hannya mask on his right forearm:


Then I snapped this photo of the tattoo above his right wrist:


This metal-plated heart represents Danny's emotional toughness, with a trace of sensitivity. In his words, "even if my heart is dead, it will still bleed".

I also took a photo of Danny's knuckles, which I wanted to post up on Knuckletattoos.com. However, since they're working on a six-month backlog, I thought I'd spare them the extra post and just share these here:


They read, of course, "HATE PAIN". This just represents what Danny was going through at the time he had his digits inked.

Initially, he had told me his back was done, but I didn't press him to show me the work. By the time I had taken pictures of his knuckles, I guess he felt comfortable enough to share this truly remarkable back piece:


All of his work was done by Thailand Mike at Scratch Tattoo in Elmhurst, Queens. He initially went to Mike for a cover-up on his back, providing just the central part of the design...


Danny visited from time to time for over a year, having elements of the back filled in. The demon head at the top of the back is particularly cool


and the dragon hovering above the wasitline is also impressive:


I rarely get to feature back pieces, as they have to be offered up by generous contributors, so when I see one, I am seldom disappointed.

Thanks again to Danny for sharing so much of his work with us here on Tattoosday!

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Daniel's Back Piece Begins...

Daniel's Back Piece Begins...

In my previous post, I described meeting Daniel and Katte. And, although Katte's work was what initially prompted me to stop the couple, Daniel offered up the bigger surprise.

I have yet to come up with a term for the phenomenon, but anyone who responds to an inquiry about a visible tattoo with an unprompted unveiling of a covered one, earns a place in Tattoosday lore.

(See some memorable examples here, here, here, and here).

Daniel lifted up his shirt to reveal "the start of a back piece":


He went to Chuck at Broken Heart Tattoos in Keyport, New Jersey, with a general outline and gave the artist the "freedom to shade and color" as he saw fit. Three sessions and nine hours later, Daniel had this kick-ass skull on his back to anchor what will eventually be a much larger piece.

Thanks to Daniel for sharing this awesome tattoo with us here on Tattoosday!

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Brian's Amazing Angelic Ink

Brian's Amazing Angelic Ink

On Saturday, I was at the park, playing ball with my daughter, and I noticed a guy off in the distance with some dark ink on his upper arm. When we were ready to leave, I ambled on over to him.

What I initially spotted was just the tip of the iceberg, so to speak. Brian was more than generous in rolling up his sleeves and sharing his astonishing work. He showed me both biceps and his back piece which, combined, he estimates represent nearly 150 hours of work.

First, the one arm:


Then the other:


Both pieces, what he calls Bad Angel and Good Angel, were cover-ups.

And then, the feather in his cap, so to speak, his back piece:


All three pieces were custom-designed by Denise de la Cerda whose website, ChicksDigTattoos.com, is a great showcase of her work. In fact, you can see the before and after of each tattoo on the cover-ups section of her site. The back piece can be viewed here. The "good" angel can be seen here. And the "bad" angel can be viewed, before and after, here. Truly amazing!

One of Denise's tattoos, albeit a much smaller one, appeared previously on Tattoosday here.

Thanks to Brian for sharing these awesome tattoos with us here on Tattoosday!

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Emily's Back Piece Takes Yin and Yang to the Next Level

Emily's Back Piece Takes Yin and Yang to the Next Level

I spent yesterday at the New York City Tattoo Convention at the Roseland Ballroom.

I'll provide a fuller dispatch later but I wanted to share one of the more visually-stunning pieces that I chanced upon.

This is Emily's back piece:


This represents about sixty (60!) hours of work by Erick Diaz at Asylum Studios in the Williamsburg section of Brooklyn, New York. A smaller, much less complicated tattoo by Mr. Diaz appeared last summer here on Tattoosday.

What's depicted is the classic battle between good and evil, angels and devils, heaven and hell. Emily went to Erick with the basic concept of the piece and Erick did the rest.

"It's the state of every human being," Emily summarized, "a giant yin-yang".

The "13" at the bottom of the back is a memorial, of sorts, but Emily didn't want to elaborate. She also noted that this elaborate piece covered up two smaller tattoos at the top of the back.

I thank Emily for sharing her marvelous canvas with us here on Tattoosday!

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